{"id":141993,"date":"2024-09-19T14:39:16","date_gmt":"2024-09-19T12:39:16","guid":{"rendered":"https:\/\/mariareimondez.com\/?post_type=portfolio&p=141993"},"modified":"2024-12-03T16:45:19","modified_gmt":"2024-12-03T15:45:19","slug":"a-casa-do-amo","status":"publish","type":"portfolio","link":"https:\/\/mariareimondez.com\/es\/portfolio\/a-casa-do-amo\/","title":{"rendered":"A casa do amo"},"content":{"rendered":"

A finales de los a\u00f1os setenta, la escritora feminista negra lesbiana estadounidense Audre Lorde resum\u00eda su cr\u00edtica al feminismo blanco con la famosa frase: \u00abLas herramientas del amo nunca desmantelar\u00e1n la casa del amo\u00bb. Su mensaje resuena a\u00fan hoy en diferentes movimientos supuestamente transformadores en los que se deja de lado una cr\u00edtica en profundidad a las estructuras coloniales y racistas, a las \u00abherramientas del amo\u00bb. Galicia en general y la literatura gallega en particular ocupan un interesante lugar gonzo, dado que por una parte se sit\u00faan en una posici\u00f3n no hegem\u00f3nica a ciertos niveles, pero no dejan de ser una naci\u00f3n y un sistema literario formulados desde las bases de la blancura y la continuidad colonial. Es tiempo de analizar nuestra casa como la casa del amo y revisar nuestras complicidades coloniales. Este volumen ofrece una panor\u00e1mica sobre las teor\u00edas decoloniales y antirracistas que se usan aqu\u00ed para echar una mirada cr\u00edtica a diversos textos que, lejos de pretender constituirse en cat\u00e1logo, buscan interpelarnos para transformar los cimientos de la casa de modo que absolutamente todas las personas tengamos cobijo en ella.<\/p>\n","protected":false},"excerpt":{"rendered":"

Xerais, 2024<\/p>\n","protected":false},"author":1,"featured_media":141525,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[87],"class_list":["post-141993","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-ensayo"],"yoast_head":"\nA casa do amo - Mar\u00eda Reim\u00f3ndez<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mariareimondez.com\/es\/portfolio\/a-casa-do-amo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A casa do amo - Mar\u00eda Reim\u00f3ndez\" \/>\n<meta property=\"og:description\" content=\"Xerais, 2024\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mariareimondez.com\/es\/portfolio\/a-casa-do-amo\/\" \/>\n<meta property=\"og:site_name\" content=\"Mar\u00eda Reim\u00f3ndez\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/mariareimondezescritora\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-03T15:45:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mariareimondez.com\/wp-content\/uploads\/2024\/09\/9788411104722-a-casa-do-amo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"1484\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/mariareimondez.com\/es\/portfolio\/a-casa-do-amo\/\",\"url\":\"https:\/\/mariareimondez.com\/es\/portfolio\/a-casa-do-amo\/\",\"name\":\"A casa do amo - 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