{"id":142039,"date":"2024-09-19T13:41:53","date_gmt":"2024-09-19T11:41:53","guid":{"rendered":"https:\/\/mariareimondez.com\/?post_type=portfolio&p=142039"},"modified":"2024-12-04T08:45:38","modified_gmt":"2024-12-04T07:45:38","slug":"corpos-exorbitantes","status":"publish","type":"portfolio","link":"https:\/\/mariareimondez.com\/es\/portfolio\/corpos-exorbitantes\/","title":{"rendered":"Corpos exorbitantes"},"content":{"rendered":"

Premio Xohana Torres de Ensayo<\/p>\n

Estas p\u00e1ginas profundizan en la recuperaci\u00f3n de Rosal\u00eda de Castro como traductora feminista en di\u00e1logo con la canadiense Er\u00edn Moure. Desde el punto de partida que ofrecen las teor\u00edas feministas y poscoloniales de la traducci\u00f3n y utilizando como base el trabajo pionero de Mar\u00eda do Cebreiro R\u00e1bade Villar, la autora analiza el marco y las estrategias por las cuales estas dos traductoras se apropian de sus textos. Ambas traducen a distintos autores (Rosal\u00eda de Castro al autor espa\u00f1ol Ventura Ruiz Aguilera y Er\u00edn Moure a Fernando Pessoa\/Alberto Caeiro) explorando la capacidad \u00e9tica y pol\u00edtica de la traducci\u00f3n. En este fascinante proceso de an\u00e1lisis descubrimos una nueva faceta de Rosal\u00eda de Castro, que demuestra no solo ser pionera tambi\u00e9n en la traducci\u00f3n, sino utilizar estrategias similares a las de Moure que, a\u00fan un siglo despu\u00e9s, siguen resultando revolucionarias. Corpos exorbitantes pretende, a trav\u00e9s de estas dos figuras destacadas, arrojar luz sobre el potencial transformador de la traducci\u00f3n a la hora de establecer discursos cr\u00edticos respecto al mundo que habitamos y sobre la necesidad de destapar el discurso heteropatriarcal y colonial dominante que sustenta todas las dem\u00e1s violencias.<\/p>\n","protected":false},"excerpt":{"rendered":"

Servizo de Publicaci\u00f3ns da USC, 2017<\/p>\n","protected":false},"author":1,"featured_media":141533,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[87],"class_list":["post-142039","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-ensayo"],"yoast_head":"\nCorpos exorbitantes - Mar\u00eda Reim\u00f3ndez<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mariareimondez.com\/es\/portfolio\/corpos-exorbitantes\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Corpos exorbitantes - Mar\u00eda Reim\u00f3ndez\" \/>\n<meta property=\"og:description\" content=\"Servizo de Publicaci\u00f3ns da USC, 2017\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mariareimondez.com\/es\/portfolio\/corpos-exorbitantes\/\" \/>\n<meta property=\"og:site_name\" content=\"Mar\u00eda Reim\u00f3ndez\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/mariareimondezescritora\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-04T07:45:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mariareimondez.com\/wp-content\/uploads\/2024\/09\/9788416954346.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"552\" \/>\n\t<meta property=\"og:image:height\" content=\"806\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/mariareimondez.com\/es\/portfolio\/corpos-exorbitantes\/\",\"url\":\"https:\/\/mariareimondez.com\/es\/portfolio\/corpos-exorbitantes\/\",\"name\":\"Corpos exorbitantes - 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